@Gonzo
Oh man there are a lot of good ds9 episodes. Armin Shimerman is great, I love his voice acting roles too.
My favorite Quark episode is probably the one where Jake is trying to buy/ barter for a Willie Mays baseball card. The quack scientist and his concept that death and old age is actually caused by “cellular boredom” was excellent.
I think my favorite thing about star trek is the core of morality and political commentary. They can be very heavy handed, and yet make people receptive to the message by changing the context of the issue.
I really enjoy the subconscious dream episodes taking place in the 1950s with Sisko as Benny Russel, a science fiction short story writer. That was great allegorical storytelling and the elements of surrealism make it very interesting.
The 2 part episode with the Gabriel Bell riots was great political commentary. they travel back to early 21st century and witness the homeless population of San Francisco forced into a walled ghetto under the guise of social progress and charity. It’s just become more relevant than ever, as Portland Oregon city council has voted to force homeless people into four large fenced in camps.
The 30th anniversary special where the ds9 crew time traveled into the original series episode “the trouble with tribbles” and interacts with the original series cast blew my mind when it first came out. That’s a really fun one.
The dominion war arc was very interesting, it was the most ambitious serialized storytelling in star trek. They kept the episodic format but told a story with a grand scale over a large period of time. More like what we used to see in comic books, individual issues had a distinct story but when read together they form a coherent story arc.
In the dominion war arc, some of the standout episodes are the one where they infiltrate a klingon ceremony in order to identify and unmask a changeling on the high council. That episode had an epic twist ending.
And my favorite dominion war episode is probably the 3 part story where Worf ends up in the dominion prison camp. Spoiler alert-- the reveal that doctor bashir had been a changeling for months was amazing. I loved the way they used the change in the uniform design to show just how long the changeling had fooled them, with doctor bashir in prison still wearing the old uniform.
In general all the large scale dominion war episodes were very impressive, with the visuals of massive fleets doing battle. But they still stayed true to the classic star trek tone and ideology.
It was a really great and ambitious show. I wish new star trek was written up to that standard. The new shows have no narrative consistency, and just don’t seem to respect the source material in the same way.
It’s also a shame that Avery Brooks was blacklisted in hollywood for insisting on a degree of freedom and creative control for his character, to make sure it was a positive depiction and not a stereotype. He didn’t just agree to his contract every time he was up for renewal, he insisted on directing and writing a certain number of episodes per season. After that the producers spread the rumor that he was difficult to work with and got him effectively blacklisted.
His performances on ds9 are great, he plays it big like a performance on stage, and his voice is amazing. He reminds me of Paul Robeson, another amazing black performer who was blacklisted for his ideals, creative integrity, and politics.
Rewatching ds9 recently, I think the first 2 seasons or so were pretty rough. You can tell they really have a standard method and camera angles for filming in each set, and that the actors are rushed. It makes it feel pretty stiff.
But the show really picks up steam in the third season, and by season 4 or 5 it’s consistently very good. It’s very refreshing seeing their filmmaking techniques. The lighting is great, the camera work is smooth and clear. the special effects are a very good compromise with mostly practical effects augmented by cgi, and some pretty creative cgi animations. By todays standard they are basic, but they still look great. The sound design is very clean, it tells the story, it’s engaging, but it’s not annoying or oppressive.
in terms of clear concise storytelling, it’s way better than the constant camera shake and lens flares, bass rumbles, and ear ringing sound effects that we see now.